Renaissance Artifacts Essay

OBJECTIVEreincarnation world-view can be characterized by its humaneistic orientation. The objective of this drill is to hit the books cultural trickifacts from the Renaissance showing how they reflect the values of the time and will incorporate the testimony of two experts in the field.INTRODUCTION The manner in which the observation of values that exist within a civilizations culture during a time period in their achievement of artifacts has been noted in the rent of archaeologist and anthropologists who report the different religious and cultural beliefs that have been revealed in those artifacts. The artifacts of the Renaissance are no different and study of the artifacts of this time period reveals very much as to the values held by those who lived at that time. CONSUMERISM IN THE RENAISSANCE REVEALED In the effect of Charles Paul Freund entitled Buying Into Culture published in the June 1998 effort journal publication is the account of how one form of Renaissance art reflects the cultural values of that time evidenced in the statement of Jardine in the work entitled Worldly Goods a 1996 history of the Renaissance. Stated by Jardine isTitians canvases of statuesque naked women in recumbent poses were regarded as learnedly symbolic by nineteenth century art historians.Only recently did contemporary correspondence come to light which showed that these works of art were painted to meet a vigorous necessary for bedroom paintings depicting titillating nudes in detestable poses. (Jardine, 1996 as cited by Freund, 1998)Jardine gives the account of the Duke of Urbino referred to the painting entitled The Venus of Urbino as a naked womanhood and of how that he was visited by a churchman in 1542 specifically the Cardinal Farnese who upon seeing the painting rushed off to commission a similarly erotic nude of his own from Titan in Venice. (1996) To support the statement above of a vigorous demand for bedroom paintings depicting erotic nudes in salacious poses being the driver for these type paintings which characterize art during this time period Jardine relates the fact that when a report came concerning the progress of the paintings completion the apostolical Nuncio in Venice expressed the view that the Cardinals nudemade The Venus of Urbino look like a frigid nun. (Jardine, 1996 as cited by Freund, 1998)Freund makes the comment in relation to the analysis of Jardine of the Renaissance that What we regard as consumerist behavior does not begin with industrialization and the manufacture of cheap, ready-made goods it can be traced to antiquity. One revealing way to trace its past is through the proclamation through history of so-called sumptuary laws that attempted to control acquisitiveness. (1998) Freund relates the fact that it was those identical laws that effectively and expressly limited the quality of thingsthat any given individual was allowed to own or display stating additionally that these laws had as their purpose to maintain the semipolitical and status quo. (1998) The actual expression as noted by Freund concerning the work of Jardine is that Jardine is relating the the translation of material wealth into an assertion of individualism. (1998) ACCUMULATION, PRODUCTION AND EXCHANGE In the work entitled The occupation of English Renaissance Culture by authors David Lee Miller, Sharon ODair, and Harold Weber and published in the Modern Philology Journal in February 1997 are nine essays that review subjects of literature from the Renaissances time period. Miller, ODair and Weber have as their focus in their study upon how it is in this Renaissance ordination that the cultural treasures and values of Renaissance England are entangled with the economic and political dynamics of accumulation, production, and exchange p.1 (1997)III. SEXUALIZATION OF CHRIST IN RENAISSANCE ART Renaissance art was very focused on the depiction of Christ in a sexualized manner. The work of Janet Heer in a National Post article entitled The grammatical gender of Christ states that our ancestors had a healthier sense of the body than we do. Where we fear to glance at the right nipple of Janet Jackson, Renaissance artists lavished attention on the penis of Christ. (2004) Heer goes on to state that the art historian Leo Steinberg, In his 1983 classic The Sexuality of Christ in Renaissance Art and in Modern Oblivion.stated that the beginning(a) necessity is to admit a long-suppressed matter of fact that Renaissance art, both north and south of the Alps, produced a large body of devotional images in which the private parts of the Christ Child, or of the dead Christ, received such demonstrative emphasis that one must recognize an ostentatio genitalium comparable to the canonic ostentation vulnerum, the showing out of the wounds. (Heer, 2004)It is additionally related in the article written by Heer that Steinberg demonstrated that these erotic images of Christ served a very specific religious purpose they bodily the doctrine of the incarnation showing that Christ was fully human even though divinely perfect. (2004)SUMMARY AND CONCLUSIONThe Renaissance was a time of transition or reassertion and as shown by the works reviewed during the course of this study, the assertion of consumerism in the Renaissance society was a great driver in the production of art or artifacts from that time period. This work has further shown that the economic and political dynamics or the accumulation, production and exchange of goods is that which was the driver of the production of cultural treasures passim the world during the period of time known as the Renaissance. However, it cannot be said that consumerism only drove the production of art during the Renaissance. In fact, it appears that the art or artifacts produced during the Renaissance period reflect a spiritual shift in the world that was occurring in what seems to be a time that the world questioned more deeply their human selves specif ically as to their inherent human-ness and that connection to the spiritual world.WORKS CITEDFreund, Charles Paul (1998) Buying Into Culture How Commerce Cultivates Art. Reason June 1998. Online available at http//reason.com/9806/fe.freund.shtml.Miller, D. ODair, S. and Weber, H. (1997) The Production of English Renaissance Culture. Journal of Modern Philology, Vol. 94, No. 3 February 1997 pp. 372-376. University of Chicago Press.Heer, Janet (2004) The Sexuality of Christ. National Post 2004 Feb 27. Online available at http//www.jeetheer.com/culture/christ.htm.